Thursday, August 05, 2010

Help Wanted

Let's begin today's post with a splendid, makes-the-job-worthwhile letter from the mailbag:

Dear Messers Abnett and Lanning,

You've gone and done it again!
I was reading the Thanos Imperative #1 and was completely thrilled
at the comment that ‘evil' Captain Marvel makes to the
‘evil' Quasar about how this universe is still young enough to
have death, as this immediately made the following come to mind "And
with strange aeons even death may die." This was absolutely
brilliant! As it completely evokes the concepts behind H.P.
Lovecraft's Chtulhu mythos without being a terrible pastiche.
All I would really need for this to completely go over the top would
be the return of Cthon (the Marvel watered down version of Cthulhu
from the 70's horror) and an epic battle involving Dr. Strange. Now I
know these are highly unlikely to occur, but you have hit just about
every possible ‘beat' of my psyche with all your series so far
so a fellow can hope.
Further, now that SDCC has passed us by, I was gleeful at the
prospect of a Rocket Raccon and Groot mini! This just sounds as if it
is going to be a hilarious romp with Rocket using ever increasing fire
power and Groot constantly banting about yelling "I AM GROOT!".
Speaking of Rocket Raccon, I loved his threat to rampaging Thanos.
Not that he'd kill him, but rather he'd incapacitate him long enough
to put him in serious suspended animation so he would
live…….forever! What an excellent threat against someone
who's in love with Death.
And because I've truly adored everything you've written (that I've
read), I'm going to go ahead and give your Thor/Ironman mini a go and
see if you can pull the same magic with the Marvel first stringers.
Keep up the great work gentlemen, and here's hoping you've got years
more cosmic, or non-cosmic, comic tales to tell.
With much happiness,

Trevor Chapman

Bramtpon, ON

CANADA



Thanks, Trevor.

Now pay attention, everyone. I need your help. Well, a friend of mine does, anyway. Please take a look at the illustration below (brought to you - eventually - by the wonders of computer technology and Rachel, no thanks to my useless so-called "scanner") and see if you can assist me in identifying the artist. We've pretty much ruled out Beardsley (we have, haven't we?), but Rackham is still a person of interest. Anyone? Any ideas at all? There may be some sort of non-specific, non legally-binding prize if someone can ace it.

Help me, Obi Wan. You're my only hope.


















































--

Wednesday, August 04, 2010

Ravenor and Co










Some splendid character sketches from this blog's good friend Nic Giacondino. May I also take this opportunity to point you in the direction of his fabulous online strip here. Gosh, it's just great!

Before I forget, hair colour suggestions for Carl or Wystan, anybody?

Tuesday, August 03, 2010

If it's on my fridge, it must be true
























Will you be there? (At the event, I mean. Not on my fridge. D'uh).

Tuesday, July 27, 2010

Home from Nerdistan...


















...as we affectionately called the San Diego Comic-Con. Let's take a look around. First, a quick peek at an interview with SFX magazine.


Then, above, here's me.








Here's my schedule.






















Here's me signing someone's unfeasibly large weapon.


















Here are some people (there were quite a few).


















Is this the Dan Abnett queue? Why, yes!





















To the Batcave (and soft furnishings, housewares and scented candles).























Commissar Smaalders and friends.


















Another of the fair Commissar's assault squad.





















Me signing another unfeasibly large weapon (you see how I bravely resisted the double entendre there? Aren't you proud of me?).
















Look! In the middle there! It's Sire Kenneth of Branagh!

















Who's behind the Odin Throne door?
















Is it Sarah Palin?

















Is it The Shat? (He's my hero of heroes).





















No, it's the Destroyer (camera shake caused by too much excitement)!!!



















Oh, it was all just a blur!

Monday, July 19, 2010

San Diego ComiCon: A Danwatcher's Guide

ComiCon fast approaches. If you're going to be there, and you'd like to stop by and say hello to me (or to me AND Andy Lanning), here's a list of the whys and wherefores of when I'm supposed to be around:


THURSDAY

3.15 - 4.15 Mr Lanning and I will be part of the Mighty Marvel Mondo panel in room 6DE

5.00 - 6.00 I'll be on SFX magazine's “British Invasion” panel in room 5AB


FRIDAY

10.00 - 11.00 I'll be doing an Ultramarines signing at Autograph Area (AA) 20 in the Sails Pavilion

5.00 - 6.00 Andy Lanning and I will be signing at the Marvel Comics stand (# 2329)


SATURDAY

10.00 - 11.00 I'll be signing at the SFX Magazine stand (# 5567)

11.00 - 12.00 Team DnA return to the Marvel stand (# 2329) for another signing


At other times, I'll be strolling around the show going "wow" and "cor"' and "well, I never". Alternatively, Andy's sharing a table in Artists' Alley with the fabulous Todd Nauck, so that might well be a place to come and find us, or at least find out when we're likely to be there. Todd's stand is BB13. Go visit him anyway and drool over his fantastic art. Please bear in mind he'll be very happy to see you, but he's NOT there to be our social secretary for the convention. ;)

So... hands up who'll be in San Diego?

Wednesday, July 14, 2010

A Trumpet of One's Own

Please feel free to keep reading and expressing your verdicts on the exclusive Prospero Burns extract published in the post below. Today's quick post-ette isn't intended to get in the way of that. I just wanted to share a couple of coolnesses that had come my way today: first, a five star review from SF Signal, and then an opportunity to hear me and Andy shill our dubious wares on the Funnybooks podcast (thanks to Aron and Paulie!).

Monday, July 12, 2010

Prospero Burns: Exclusive extract

Well, I promised it and here it is: a little taster from the opening of my next Horus Heresy novel to whet your appetites. Hope you enjoy it. Who knows - maybe I'll run another extract in the near future to really get you addicted.

Okay...*clears throat*...




Death had them surrounded.
It had come to cut threads, and today, it wore four faces.
A burning death for those too hurt or too afraid to flee the settlement as the firestorm swept through it. A freezing death for those who ran away up the scarp to escape the murder-make: even in spring, the wind came in off the ice flats with a death-edge that sucked an exposed man’s life-heat out through his lungs, and rotted his hands and feet into black twigs, and left him as a stiff, stone-hard bundle covered in rime.
For others, a drowning death, if they attempted to flee across the blue-ice around the spit. Spring’s touch was already working the sea ice loose against the shore, like a tooth in a gum. The ice would no longer take a man’s weight, not reliably. If the ice broke under you, down you went: fast and straight if you plunged through, slow and screaming if an ice plate tipped and slid you in. Either way, the water was oil black, and so cold it would freeze the thoughts in your brain before your lungs were even empty.
For the rest, for those who had remained to fight, a bloody death, the death of the murder-make. This was the death that knocked you down hard onto the ice with an axe or a maul, so you felt nothing except the cold burn of the ice, and the hot burn of your own blood, and the pain-scream of your crippling wound. This was the death that stood over you and knocked you again, and again, and as many times as necessary until you would not rise again, or until you were so disfigured that death could no longer bear to look at you, and moved off in disgust to find another soul to knock.

Any of those four faces would cut your thread as soon as look at you. And those were the faces the Balt were wearing.

The Balt. The Balt had brought the murder-make down on the Ascommani aett. Twenty boat. It was early in the season for a raid. A man had to be desperate to go out making red snow when he could wait for the first grasses and milder weather.
Twenty boat, and all of them still rigged for ice-running under their sea-sails.
If there had been time, the Ascomanni might have wondered why their doom had come so early. Ironland, where the Balt had settled, had persisted twenty Great Years, but many now said its roots were soft. Many now said it would only be one more summer, two at the most, before the ocean sucked it down again into the World-forge.
Ascomanni land ran from the spithead to the ice shelf, and was poor for farming and lacked natural defences, but it was yet just one Great Year old, and the dowsers had proclaimed it strong land, with many years left in it.

So land-thirst. Perhaps it was that.

Fith knew better. Nothing got the murder-urge pumping like fear, and nothing stoked up fear like a bad omen. A broom star. A day star. Colour in the ice. Bloom in the sea. Smoke out on the ice shelf where no settlement was. Some dead thing washed up that should not be. Something born to livestock or to a woman that should not be. Something with birth defects.
Sometimes a bad dream would be enough to do it, a bad dream that told you the tribe down the coast or around the headland was maleficarum. You let land-thirst be your excuse as you reached for your shirt and your blade, but you made sure the gothi marked your face in soot-glue with good cast-out marks like the sun-disk and the warding eye before you opened out your sails.

And there had been a bad omen, all right. Fith had seen it.

Fith had seen the make coming too. He’d seen the sails approaching along the in-shore early enough to blow the scream-horn, but too late for it to do any good. He had merely enabled his kinfolk to die awake.
The Balt main force had come up around the spit in their wyrmboats in the sightless pre-dawn grey, sailing black sails straight out of the water and onto the shore-ice on their rigs, translating from water-craft to ice-craft with barely a jolt. Their skirmishers had put ashore on the far side of the headland, and come romping in over the high back of the snow dunes to fall on the Ascommani settlement from the hind side.
After that, it had been fire and knocking. The Balt were mongrel-big, men with long faces and beards waxed into sun rays under their spectacle-face helms. They were horribly able with axe and maul, and the occasional high status sword that some carried.
But they brought with them none of the screaming vigour of a normal Balt raid or murder-make. They were silent, shit-scared of what they had come to kill, shit-scared of its sky magic. They were silent and grim, and set to murder everything to wipe the magic away. Men, women, the young, livestock, nothing was spared a knock. There was not a shred of mercy. There was not a moment’s thought to claim prisoners or take slaves. Ascommani girls were famously fine-looking, and there were plenty of healthy girl-children too, who would make valuable breeding slaves in time, but the Balt had put away all appetites, except for a fierce desire to be cleansed of fear.

The sound of an axe knocking-in is a wet smack of slicing meat and shattering bone, like sap-wood being cut. A maul makes a fat, bruising sound like a mattock driving pegs into marsh loam or wet ice. Worse than both are the after-sounds. The screaming of the agonised, the ruined and the dying. The begging shrieks of the hurt and maimed. The hacking impacts of death knocking until the fallen stop being alive, or stop trying to rise, or stop screaming, or stop being in once piece.

Fith had just enough time to get his shirt on and loft his axe. Several other hersirs fell to arms with him, and they met the first skirmishers coming in through the walls and window-slits of the settlement, head on. The panic was up already. It was blind blundering in the dark, a reek of urine, the first nose-full of smoke.
Fith’s axe was balanced for a single hand. It was a piece of proper craft, with a high carbon head that weighed as much as a decent newborn boy. From the toe of the blade to the heel of the beard, it had a smile on it wider than a man’s hand-span, and it had kissed a whetstone just the night before.
The axe is a simple machine, a lever that multiplies the force from your arm into the force delivered by the blade. The rudiments apply whether you’re splitting wood or men.
Fith’s axe was a bone-cutter, a shield-breaker, a helm-cleaver, a death-edge, a cutter of threads. He was a hersir of the Ascommani aett, and he knew how to stand his ground.

It was a throttle-fight in the settlement itself. Fith knocked two Balts back out of the tent wall, but the tight confines were choking his swing. He knew he needed to get out. He yelled to the hersirs with him, and they pulled back.
They got out of the tents into the settlement yard, wrapped in swirling black smoke, and went eye to eye with the Balts in their spectacle-helms. It was mayhem. A free-for-all. Blades swung like windmills in a storm.
Fenk went down as a Balt axe split his left calf lengthwise. He bawled in rage as his leg gave out, useless. Seconds later, a maul knocked his head sidelong, and snapped his neck and his thread, and he flopped down on the earth, his shattered skull-bag leaking blood.
Fith drove off a Balt with a mattock, scared him back with the whistling circles of his swinging axe.
Ghejj tried to cover Fith’s flank, using the basics of shield-wall tactics. But Ghejj had not had time to collect a decent shield from the stack, just a tattered practice square from the training field. A Balt spear punctured him right through, and tore him open so thoroughly, his guts spilled out onto the snow like ropes of sausage. Ghejj tried to catch them, as though he could gather them up and put them back inside himself and everything would be all right again. They steamed in the spring air. He squealed in dismayed pain. He couldn’t help himself. He knew he was ruined unto death.
He looked at Fith as he squealed again. It wasn’t the pain. He was so angry that he was irreparably dead.

Fith put mercy into his stroke.

Fith turned away from his last picture of Ghejj, and saw that there were fingers scattered on the snow, on the yard snow churned up by scrambling and sliding feet, along with blood by the bowl-full. They were the fingers of women and children, from hands held up to protect themselves. Defensive wounds.

There on the snow, a complete hand, the tiny hand of a child, perfect and whole. Fith recognised the mark on the ring. He knew the child the hand had once belonged to. He knew the father the child had once belonged to. Fith felt the red smoke blow up in his head.

A Balt came at him, silent and intent, and Fith flexed the lever of his axe, and hooked it in, and made a ravine of the Balt’s face.
Four hersirs left. Fith, Guthox, Lern and Brom. No sign of the aett-chief. The chief was probably dead and face down in the red snow with his huscarls.
Fith could smell blood. It was overpoweringly strong, a hot copper reek spicing the freezing dawn air. He could smell shit too. He could smell Ghejj’s insides. He could smell the inner parts of him, the ruptured stomach, the yellow fat of Ghejj’s belly meat, the heat of his life.
Fith knew it was time to go.
The Upplander was in the furthest shelter. Even the Ascommani knew to keep him away from people.

The Upplander was propped up against cushions.
“Listen to me,” Fith hissed. “Do you understand me?”
“I understand you. My translator is working,” the Upplander replied, looking pale.
“The Balt are here. Twenty boat. They will knock you dead. Tell me, do you want the mercy of my axe now?”
“No, I want to live.”

“Then can you walk?”
“Perhaps,” the Upplander replied. “Just don’t leave me here. I am afraid of wolves.”

Friday, July 09, 2010

The Hundreds and Thousands Sons, or Prospero: the clean-up

As I said, I have at last finished the unfeasibly ferocious epic that is Prospero Burns, the latest Horus Heresy novel. The book itself didn't give me any problems, per se, but regular readers will know that it has been badly delayed because, during the course of writing, I was set back by the sudden occurence of late-onset epilepsy. Such larks!

I had to work my way through the initial episodes and the subsequent diagnosis. In re-arranging my life around the condition (and the medication that came with it), I sort of had to learn how to write a novel again - and remember what the sacred feth I'd been trying to do with the one that was already underway.

Anyway, you know all this. I'm done now. PB is finished. I've got back on the horse, and I think I've delivered a bit of monster. I mean, of course, monster in the good sense of the word.

I thought you might be amused by these scene-of-crime pictures. This is how the monkey forge looked in the immediate aftermath of the ritual typing of the final full stop. I took a few snaps for posterity before clearing the decks.






This is the Primary Clone POV shot. Post-It plot-point mosaic City.









Here we have the right hand side of the desk spread (a view that was too big for one shot). Of particular note, the big "Master Book of Prospero Burns Ideas".





To the left of the Big Desk, the box-loads and stacks of ref.













And to desk-right, more notes, notebooks and ref (some physical items, as you can see).

On Monday, I'll be posting a short taster of the novel, the promised extract to whet your appetites and your axes. Monday at noon, UK time. Don't be late.

ComicCon (2)

Little bit more detail from SFX on the panel I'll be participating in. Check the Ultramarines link in the post below for details of the Friday morning signing session, and I'll be back soon to post details of other stuff, probably Marvel related signing and panel work.

And yes, hooray, I did at last complete Prospero Burns yesterday (thank you for the congrats, Mr C). It's epic. Thanks for bearing with me through an unusually complicated writing period. I think you'll find it's been worth it.

Extract soon... I'm thinking live on Monday morning? How's that sound?

Tuesday, July 06, 2010

ComiCon!

I'll blog about this in more detail shortly, but for now, here's the info direct from the Ultramarines site.

So, who's gonna be there?

Thursday, July 01, 2010

The Ga does 40K

After Xhalax pointed it out, I'm forced to agree that Lady Gaga's new video ("Alejandro") has some seriously 40K content in it. Aside all the Tom of Finland homo-erotic bits, obviously. She poses as a mean Sister of Battle, smoking a pipe (obscura or lho, methinks). There's a gnarly shot of her with a commissar at a ruined window in the snow, staring out at destiny ("so, Ibram, how do you like what I've done with the garden?"). And she turns up as Saint Sabbat at least twice (I am now fairly convinced that Saint Sabbat will be wearing white knickers with a scarlet cruciform on the gusset next time we meet her).

Obviously, like I said, all the quasi-militaristic homo-erotic stuff in no way fits the grim darkness of the far future, although, in terms of Freudian psychoanalysis, you could argue... (oh no! Can open! Worms everywhere!).

Anyway, bow to The Ga. The Emperor protects.

Wednesday, June 23, 2010

The Mighty One

Can't let the moment pass without expressing my heartiest contrafibularities to Graham McNeill, who won the David Gemmell Award for his novel Empire last friday night. In a kilt. Three cheers! Hip hip...

Friday, June 18, 2010

It's Quiet. Too Quiet.

Extract coming soon. Promise. What with a family wedding (congratulations, Ryan and Jacqui!), a two day brainstormer visit to the Black Library donjon (the High Lords of Terra gathered for the latest Heresy spitball/symposium) and actually getting some writing done, I haven't been manning the blog as often as I'd like in the last few days.

For your amusement until I catch up, try this, which was recommended by Ben Metcalfe over on my Facebook page. Dip into the long and rich list of past monologues once you're there. Magnificent. My faves so far are Julian Lennon, Bob Hope auditioning for Jaws, and Beowulf.

Tuesday, June 08, 2010

Get It While It's Hot

Thanks for all the kind messages of encouragement and goodwill, even the mad ones (you know who you are). I will prepare that extract of Prospero Burns forthwith and let you know when it's going up.

In the meantime, a couple of items for today. First off, I want to point you in the direction of this piece of nonsense on the Black Library blog where ADB and I "interview" each other. The second half of it is now up, though this takes you to the first bit so you read it in the right order (the second half is easily found from the first).

Item two - The whole creative team on Guardians of the Galaxy got an email from Nathan Fairbairn, our brilliantly talented colourist, who writes "Hey, guys! Just wanted to drop you all a line to let you know that I won a Shuster award for outstanding colourist on the weekend for my work in 2009, and the jury specifically pointed to my colours on Guardians as what put me over the top and won me the award. So I just want to say thanks, truly, to all of you for letting me work on such a fun book and making me look good!" To which we all say a very hearty and well-deserved congratulations to Nathan. Hip hip!

Item three - our Marvel editor Bill Rosemann forwarded a little round up of the press The Thanos Imperative has been getting:

“Great! Starts things off with a bang…this issue delivers both in terms of developments and setup for the cosmic event. For my money, this issue sets the bar for how event lead-ins should operate…Dan Abnett and Andy Lanning are more than prepared to give readers some big moments and cataclysmic happenings…it's not a challenge to pick Ignition right up and follow along easily. I felt as though I completely understood every development…First class stuff from an already strong section of comics.” –IGN.com

“5 Stars. I haven’t been this stoked about a cosmic event since Annihilation premiered. It turns out that naming this comic Ignition was apt in many ways – most importantly perhaps in its potential to re-ignite popular interest in Marvel Cosmic. Ignition hits the ground running…Various surprises ensue with DnA delivering perhaps one of the most shocking endings in recent comics history. DnA’s writing mojo is at a peak with Ignition. They deliver a tightly paced, action packed story that shows promise in actually surpassing the modern benchmark and trend setter with which all Marvel Cosmic comics much compete – Annihilation...Walker’s art is magnificent as usual – as is Quintana’s coloring…In short, DnA and Walker deliver a tour-de-force.” –CosmicBookNews.com

“Boom! Thanos, Nova, Magus, a mystery surprise person, it's all crazy and it's all good. If you haven't been reading Guardians of the Galaxy or the War Of Kings books, you can still pick this up and follow along. This is what "event" books should be like.” –ComicVine.com

“Fantastic character work and superb action…Once again, the team of DnA does not disappoint.” –WeeklyCrisis.com

Thanos Imperative: Ignition lives up to its subtitle. The fuse is lit, Houston has been contacted and this event is blasting off. I'm not sure how these cosmic events manage it, but every one has had one of these prelude one-shots to kick the event off and every single one has been absolutely amazing. Thanos Imperative continues the trend…If they were looking to build hype and add a level of "OH $%!&!!!" to this event, mission accomplished.” –WeeklyCrisis.com

The Thanos Imperative: Ignition is a comic that is scarcely contained by the edges of its pages. It’s a comic about big explosions explosively told…Abnett and Lanning the mad bombers behind it all…haven’t so much used Ignition to light the fuse on their explosive event as they’ve set the timer on a thermonuclear device. Blending Lovecraftiana, alternate universe tropes and the most cunningly and subtly cast ensemble of cosmic players the Marvel U has to offer, The Thanos Imperative has every chance of eclipsing War of Kings, and the Annihilation sagas…. Thanos Imperative: Ignition is a an exploding supernova of a book, a piñata made of nitroglycerin. Wack it with a stick and you get a face-first blast of cosmic coolness.” – Newsarama.com’s “Best Shots”

“It's hard to not cheer on all the various characters as their paths intersect in this opening salvo of all-out war with another universe.” –ComicBookResources.com

“You need to be reading this mini-series. It's accessible and epic, pitting an epic threat against the whole of Marvel's alien civilizations... and it seems their only hope is Thanos.” –IGN.com

“Like much of their work for the cosmic line, the duo delivers here with a surprising, action-packed issue that sets the stakes high…This issue continues to push the idea that anything can and will happen in the Marvel cosmic books…The writing of Abnett and Lanning is bold and confident.” –ComicBookResources.com

“It should come as no surprise by now that the first issue is an action-packed, frequently humorous blast. DnA rock the Marvel space ways, and they’ve grown extremely confident in their ability to handle sprawling casts in epic situations. We’re talking the collapse of existence here, and two of the big heroes are a heat-packing raccoon and a telepathic cosmonaut dog. Who else does that? The writers manage to make just about everything work, and that’s saying something, considering there are literally dozens of threads at play here… DnA, however, have done a banner job since taking on Annihilation Conquest and their successive pods. I don’t have any inkling now that this will be any different. The Thanos Imperative looks to be one of the most enjoyable reading experiences of the year; it’s a summer blockbuster backed by humor and characters I actually care about.” –Newsarama.com’s “Best Shots”

"Dan Abnett and Andy Lanning have managed to perfect the art of juggling their ensemble cast...They skillfully jump back and forth between these characters, always giving us just enough pages and information to make each moment matter without dragging down the story or creating jarring shifts in narrative. Every page feels important on some level and like the content we are getting matters and that's something many events struggle with delivering. Every event can manage a big splash page or shock death or stunning reveal. Few can keep the story between these moments just as engaging...The only imperative you need concern yourself with is finding a copy of this issue. An event comic done right and one you won't want to miss out on. Verdict: Must Read" -WeeklyCrisis.com

"The writing team of Abnett and Lanning are knocking this one out of the park...Abnett and Lanning fully embrace the fact that these characters have been around the block a few times, and the goal is to continue their adventures rather than erase them...Brad Walker juggles a multitude of characters and epic space vistas with ease...And did I mention that he draws a mean anthropomorphic raccoon? A great-looking, great-reading comic...in the best classic Marvel manner." -Aint It Cool News

Phew. Despite the meds, I must be doing something right, right?

Saturday, June 05, 2010

From Big Purple Ones To Tiny Blue Ones

I finally had to admit defeat this week and own up to the fact that the anti-epilepsy meds they put me on when this condition started last year just don’t suit me. I persevered as long as I could, because quite often I felt perfectly fine (good, in fact), and I knew it takes a while to get exactly the right balance of dosage. I didn’t want to give up because it was a little difficult. I didn’t want to be that person.

I had to keep edging the daily dosage level up to fend off the seizures, and then make sure I didn’t even get those wonderful, euphoric flutters of nostalgic bliss (a bad sign, apparently - another avenue of pleasure closed off), and with each increase came a few days of depression.

In the last month or so, the depression’s become a much harder thing to work around. I can live with all the stupid little side-effects, but feeling devastatingly miserable for no reason at all, and being unable to follow any thread whatsoever has finally made me pull the ejector handle.

So I now have a fun-filled few weeks while I swap from one brand to another, decreasing one medication while I increase the other. I may be entering a brief zone of uncharted floopiness. Deep breath. Here goes.

In other news, work is going well (parts of it have been going well in ways I can’t write about yet), and I’ve been thinking about sticking up an exclusive extract of Prospero Burns here on the blog sometime soon. Would that be a popular move?

Oh, and for those of you who were asking, Sinister Dexter returns to 2000AD in Prog #1693, on sale July 14th. The story is called The Why-Shaped Cut, and has huge consequences for our gunshark heroes and the future of the ubercity of Downlode. Miss it at your peril, you scuzzpuck funts. I mean that in a nice way, obviously.

Meanwhile, there’s still time to catch Paul Cornell’s splendid pilot (yes, let’s be confident and call it a pilot) Pulse on BBC3 iPlayer, and may I also recommend Your Hate Mail Will Be Graded, which collects the best from ten years of John Scalzi’s blog and shows how shit like the preceding three hundred and ninety words should be done.

Monday, May 31, 2010

Commodus Voke




Just had to share this great image with you all. Drawn by Eisenhorn fan Anna Kirsanova as a gift for her husband Kirill Leonov, it features the venerable inquisitor Voke. The Russian publication of the Inquisitor books has been a little delayed, so Anna and her husband still have the humdinger of Ravenor Rogue to look forward to (out in Russia any day now, she tells me).

Sunday, May 30, 2010

Of the teaser, and Pulse, and other matters


Well, there was teasing. There was certainly teasing.

The first small but perfectly formed piece of the Ultramarines movie went on show yesterday at the London MCM event, and went live on the website at the same moment. Let me linger on that latter theme for a second - if you’re remotely interested in the movie and its release, go to the website and REGISTER and you’ll be kept appraised of all developments.

As for the MCM show itself, what a great turn out. It’s a huge event, with massive levels of ambient background noise. Once we were up on the stage, we could barely hear our own amplified voices, though this was due in particular to the ceremonial drumming taking place somewhere else in the arena. Nevertheless, people claimed to be able to hear us. All in all, I thought it probably made up in sheer rousing atmosphere what it lost in clarity.

Big turn out at the stand too - nice to see you all. And I hope I answered the questions about "why the Ultramarines?" well enough. We want to welcome people into the extraordinary Universe of 40K, and convert them to its faith, so we need to establish the definitive concept of Space Marines very effectively, so that people ‘get them’ quickly and easily. Ultramarines do that superbly well. They are a great starting point, and it’s pretty daft to think we’d be better off going for something more obscure or specialist. Besides, has anyone thought to tell the mighty Mister Graham McNeill that Ultramarines aren’t (whisper it) popular? Thought not.

Anyway, I had a great time. Cherry on the top of the cake was talking to John Noble of Fringe in the green room. Nik seems to be very good at just saying hello to these awesome people. John was such a gent, he kept a photoshoot waiting so he could chat to us for a little longer.

While I’ve got your attention, let me urge you to watch Pulse (9.00pm, Thursday, BBC3), Paul Cornell’s new medical thriller, which, if there’s any justice, should become a series.

Finally, something Nik found for me, and which makes me smile a lot.

Wednesday, May 26, 2010

Ultramarines at MCM Expo: take 2!

Keep the splendid questions rolling in, on this thread or the previous one. Like I said, it's only for funsies right now, but we're going to do a Q&A session to camera during the course of the day, so I may get the team to answer some of them then, all official like.

The reason for this extra post is to revise the timing for the event - I've just been told it will now be at 2 pm, that's 2 pm, and it will be followed by a half hour signing at the Ultramarines stand.

Onwards!

Saturday, May 22, 2010

Ultramarines at London MCM!

The London MCM Expo is next weekend! Are ya going? Are ya? Here's one good reason why you should - on the Saturday (that's the 29th) at 11am, I’m taking part in a main stage panel about the Ultramarines Movie, where we'll be talking and teasing its sheer awesomeness face to face for the first time. Events details can be found right here.

Preparations are underway at Ultramarines Towers to make this panel as special as possible, and I'll be joined for the Q&A by some very important people.

When I’m not on the panel, or, who knows, manning the Ultramarines stand, you’ll probably find me queueing up for John Noble’s autograph. Asshat fanboy? Moi?

I realise, of course, that not everyone who wants to attend Expo will be able to, so, just for fun, if you could be there, what movie-related questions would you ask me, or the other Ultramarines panellists?

Thursday, May 20, 2010

Bring On The Bad List

Monday’s Tropic Of Conversation got you all nice and chat-tastic again - keep it up, and keep posting those hero choices too. Comments so far:

Christian - Good call. I had completely forgotten about Dominic Fortune and how much I like him.

Mob - Both Iron Fist and Union Jack are just outside my top five. Iron Fist and Warlock are characters who have featured in two of my all-time favourite single pages in comics. I’ll dig out the issue references sometime. And why is Wanda Maximoff such a big surprise? I love magic characters, and when I was a kid she was my first comic book crush.

lendosan - Yes, Nick Fury, if it’s classic Steranko.

narratavium - Funny, funny, funny, funny, funny.

Anonymous - I love wine, though I can’t drink it anymore because of my epilepsy. The offer is appreciated, however, as is the information.

Ambrose - Thanks for supporting your choices with such good commentaries and spreading the word. 616 Cap (who would make my top ten) would, however, wipe all kinds of floor with Ultimate CA ;)

HiWayRobry - Sleepwalker? Really? I don’t know if that’s crazy or genius. I think it’s probably cranius. Or gezy.

Mr Swallow - Damn you, nice list. We’re men of a certain demographic, I feel. Hawkeye, Captain Britain, Rom...mmmm....hero-y...

BigWill - I want to see a story where a drunk Iron Man voms with his visor down.

Very cool comments all round. So here’s the inevitable follow up Tropic Of Conversation for Thursday: “Top Five Marvel Villains”.

Mine? Given the Thanos Imperative series I’m working on for Marvel right now (what do you mean, you haven’t seen the advance publicity!?), we can take Thanos and Adam Magus as read. After them:

a) Kang
b) Mysterio
c) Bullseye (Frank Miller era)
d) Proteus
e) The Abomination

Your turn. Gentlemen and ladies - start your list-engines!

Monday, May 17, 2010

Monday's Tropic of Conversation

And so to Monday.

If it wasn’t weird enough to have Gaunt’s name popping up all over Brasil, here’s another old friend too.

Today’s point of contention is going to be “Top Five Marvel Heroes”. Right now, this morning, mine are:

a) Iron Man
b) Adam Warlock
c) Doctor Strange
d) Scarlet Witch
e) Colossus

Quite apart from the Freudian analysis field-day that list undoubtedly invites, what about you? Who are your Marvel heroes?

Saturday, May 15, 2010

What have you got for us today, Dan?

Well, many things, as it goes.

As much as SFX give good party, and believe me, they do, they’re also quite the institution when it comes to magazines, which means they don’t just throw parties, they also take pictures of them, and talk to their party guests.

So, here you have it all. They invited me to a party, they took pictures of everyone, and they interviewed me. Splendid stuff.

Now that SFX has treated me in such fine fashion, I’m hoping they’ll also celebrate “Ultramarines”. Yes, I know I bang on about, but it is my first film, and it is exciting! Now they want you to get involved. All you model-makers and budding artists get your kit out and come up with a standard design, and you could win original storyboards from the film. Find details of the competition here and be advised I'm one of the judges. Plus, there's a chance to hear me, director Martyn Pick, and producers David Kerney and Bob Thompson talking about the movie at the London MCM Expo on the 29th. Details here or here.

Phew!

Tuesday, May 11, 2010

What a swell party (followed by a Dwell party)

And so to Waterstone’s Picadilly, for the SFX Summer of SF Reading launch party.

Thanks, SFX for a very stimulating evening. Good talk, a great venue, and some illustrious company. Nik got her hands on Sir Terry Pratchett and didn’t know when to let go; she’s still heaving with embarrassment for being such an asshat fangirl, but it was fun to watch. Just to balance things out, I managed to make a screaming cock-up of introducing myself, Graham and Nik to Adam Roberts. In some American states, we may now all be married to one another. Luckily, the panel went well, and I don’t think I covered myself with bibble-shame. Thanks also to everyone who came and asked probing questions.

On a sadder note, I’d like to remove my hat for Frank Frazetta, and for Patricia Wrightson. Mr Frazetta’s art has already inspired more than one generation (he was, after all, 82 years old when he died), and, I suspect, will inspire many more. Patricia Wrightson, who was an Australian writer of children’s fiction, died in March. I’ve been meaning to mention her death for weeks. Her contribution to fantasy literature was particularly distinctive and often overlooked. I especially enjoyed her memorable novel “The Nargun and the Stars”, which was published the year I turned eight.

In other news, there’s a chance to listen to Andy and me bantering on about all things comic-related in this week’s podcast from Where Monsters Dwell. It’s there one hundredth episode, so we’re feeling quite celebratory about the whole thing. You can listen live on Wednesday, or download the podcast over here.

Sunday, May 09, 2010

Par... Tay!

It seems like weeks ago that I was invited to the SFX Summer of Reading Party, and I was quite looking forward to it. Now that it is just around the corner, and Nik is wondering what to wear, I’m really looking forward to it.

It’s always a treat to be out in public, especially these days when I’m not often allowed to play outside on my own (I don’t know what Nik thinks I’m going to do, vomit on someone, probably). In particular, it’s a very special treat to be in a room with other writers. Accountants spend lots of time with other accountants, teachers have whole rooms given over to them, and doctors and lawyers have the Rotary Club (and very fine work they do, too). It isn’t very often that a writer gets to spend time with others of his stripe. We tend to be solitary individuals, often rattling around in our houses or offices with barely another soul to talk to all day, apart from our various pets: cats in my case, and, of course, the hussar. It’s an extra specially fabulous treat to be in a room with writers whose work and achievements I admire.

So, I just wanted to remind you all that I will be at at Waterstone's Piccadilly store in London on May 10th. The book signing in the early evening will be open to all, and will be followed by an exclusive, ticket-only function where the fortunate few can mingle with the likes of Adam Roberts, China Miéville, Michael Cobley, Stephen Hunt, the mighty Graham McNeill and SFX editor Dave Bradley, and, of course, me! There might even be what SFX describes as 'some surprise guests'. I'll also be on a panel with some of the distinguished gentlemen, where the topic for discussion will be: “Millions of people watch SF on TV and at the cinema – why don’t more people read SF books too?” You can find all the glorious details, including how to get your mitts on one of the exclusive tickets, here.

Wednesday, May 05, 2010

Avast behind!

Things should also be spliced, I believe. Fell Cargo, my Warhammer pirates novel, is now available again from the Black Library. It was written a little while ago, long enough for it to have become somewhat uncanonical, but it's still a rollicking pirates-and-sorcery adventure (the technical term is yarn) and it has a devoted band of followers. When it came out, it never found an audience on the scale of Gaunt or Eisenhorn, but everyone who did read it seemed to rate it very highly indeed. If you want to know what the fuss is all about, you need to go here.

Sunday, May 02, 2010

Living Forever

If you want something to stir you on this rainy Bank Holiday Sunday, and you're a long time reader of the Ghost books, you could do a lot worse than this rather wonderful, bittersweet compilation, though the words spoiler and warning definitely apply to anyone who is not up to date with the books. Don't say I didn't warn you.

Everyone else, hankies at the ready. Some great art here too, BTW.

Saturday, April 24, 2010

SFX Party with the stars!

...and me!

The lovely folk at SFX have organised an Evening with SFX to celebrate their Summer of SF Reading. It takes place at Waterstone's Piccadilly store in London on May 10th. There'll be an in-store book signing open to all in the early evening, followed by an exclusive, ticket-only function where the fortunate few can mingle with the likes of Adam Roberts, China Miéville, Michael Cobley, Stephen Hunt, the mighty Mr Graham McNeill and SFX editor Dave Bradley. Oh yes, and me! AND what SFX describes as 'probably some surprise guests as well'. I'll also be on a panel with some of the distinguished gentlemen mentioned above, where the topic for discussion will be: “Millions of people watch SF on TV and at the cinema – why don’t more people read SF books too?” You can find all the glorious details, including how to get your mitts on one of the exclusive tickets, here.

Yowza! How exciting is that?

Friday, April 23, 2010

Crikey! AND some more! What a Friday this is!

Take a bite of this for another preview hit.

And then look at this double-header: Guardians AND Nova bowing out (into The Thanos Imperative) in truly cosmic style (scroll down the power rankings)!

You want an exciting comics preview this fine Friday? Do ya? DO ya?

Here you go then!

Thursday, April 22, 2010

Monster Birthday

Thanks to Mike Mignola, I now know that today is the 75th anniversary of the release of The Bride of Frankenstein. Wow. Seventy-five years!

That is all.

Friday, April 16, 2010

Sci-Fi London 9

And so to Cardiff, which was as lovely as I remembered it, and where everywhere feels like you’re in an episode of Doctor Who or Torchwood, for obvious reasons. Had great, work-related doings there which I can’t talk about yet, nor even offer material on which to speculate. Yes, I know. I am an absolute spoilsport. Or ‘soilsport’, as I just typed.

But instead, I can tell you that I will be playing a part in the Sci-Fi London 9 event during the weekend of the first of May. Sci-Fi London is an international festival of science fiction and fantastic film, and they’ve got a great programme of events on offer this year, which you can find here. I’ll be around on the Saturday morning to talk about the heady days of Marvel UK on this panel. Though the panel deserves to stay on-topic, if you’re in the vicinity, I’m sure I might be in a position to chat about other stuff once panel duties are done.

Further news here soon on some other appearances I hope to be putting in over the next few months.

Sunday, April 11, 2010

How Do You Do, New Doctor Who?

It’s said we all have our own Doctor Who. I don’t think it’s anything to do with favorites in a conscious sense, I think it’s about the Doctor you encounter at a particular, receptive point in your life’s geography. I find myself, like many, referring to ‘my’ Doctor in terms that make him sound like part of a map. ‘My’ Doctor is Third and Jo, though I’ll very happily, on a good day, ride all the way down to Fifth and Tegan. I’m also quite fond of Seventh and Ace, because I worked there for a while, especially the junction where it meets Hex.

So I can remember when all of this was fields. Everything from Eighth on up, no one was ever going to build here. Until they did. I don’t envy Matt Smith at all (except for, you know, the fact that he’s Doctor Who). It’s not that he’s got generations of crusties like me to win over, people who say or write (in the newspaper TV reviews) that you can tell you’re getting older when Doctor Who starts looking younger. It’s not as if he’s even got to compete with the area of outstanding grade 1 listed national importance of Fourth and Sarah-Jane, the Who that is still the definitive Who in the Who who’s who. Matt Smith’s real problem is David Tennant, so he’s got this generation to win over, a generation that doesn’t know the old streets downtown, but loves to hang out at the shiny new uptown development.

Yes, I will stop it with the analogy now.

Tennant’s a tremendous actor, and his charisma is undeniable. By the end of his tenure, there was a sense he was relying too much on the manic and the madcap, too much on the notion that the audience would love the Doctor no matter what he did. On the strength of two episodes, Smith excels when he is restrained. His debut needed a sense of urgency, but it worked least well when it was hectic and Tennant-ish (the last ten or so minutes*). He’s much more interesting (and the tension really ratchets up), when he seems to be thinking about things. I think he’s in with a fighting chance of becoming a favourite, even though it seemed as if David Tennant had been so bright a flash, no one stood a chance of being seen in the afterglow.

The new series is good. It’s too early to carp. Away with you, with your comments that the Smilers in their booths were too Big! Away with you, with your notion that the space-whale plot too closely resembled the story in the pilot of Star Trek: the Next Generation! Nothing’s original, and anyway, look what we did get: pistol-packing Sophie Okonedo! Sinister test cards! The TARDIS as a phone box you could call (that last one was a brilliant wrinkle).

But there was one thing. You knew that was coming, didn’t you? Actually, it was Nik who flagged it up. It’s fair to say she’s less... tolerant of Who than me or the girls. The merest plot inconsistency, and she goes off like a car alarm. Anyway, her concern was that Amy entirely saved the day. The companion took all the power from the Doctor’s hands. Nik is convinced that this is a Very Bad Thing and another example of declining standards.

It’s clear the Beeb has insisted the programme makers cast younger actors in the lead role. The avuncular relationship that previous Doctors have had with their companions was all but eroded away by the time we reached Mr T, and now it’s gone completely. Amy and the Doctor are, to the audience at least, on a level. They could be a couple. Yes, it’s a great thing the assistant is more than just a piece of screaming eye-candy who does nothing except need to be rescued. But show the Doctor up? Out-Doctor the Doctor?

I’m a little worried too. My theory is this: given the obligation to cast younger, Stephan Moffatt may have decided to use this as a plot point. He’s a really, really smart guy, after all. Maybe he’s going to make this youthful equivalency a major and recurring issue in this incarnation. Let’s hope so, or that’s another part of the essential Doctor Who recipe ditched, along with weekly cliffhangers and genuinely eerie (rather than just exciting) front credits.

Right. I’m off downtown to watch Carnival of Monsters.


* As a sidebar, I was also very amused by the number of newspaper reviews etc that referred to the Doctor’s solution to the problem in the first episode as ‘typically incomprehensible’. One of the things I’m absolutely trusting Moffatt to do is iron out plot gaps and inconsistencies, the sort of stuff that regularly mars genre shows when they reckon they can get away with bollocks because it’s ‘only SF’. The Doctor’s solution to the problem in episode one may have been fantastical, but it couldn’t have made better sense or been explained more simply.

Friday, April 09, 2010

Ooooh! This is cool!

New stuff up on the Ultramarines movie site, where some of the actors talk about the performance capture process, plus the latest 'guest blog' from me about the production experience.

Remember to register at the site if you want to get this info as soon as it goes up.

On an entirely separate note, this is really cool too.

And kudos to my daughter Lily, who just landed her first proper acting role.

Now I'm off to drink tea and read the papers. Ooh! New Who tonight!

Remember Tanith!


While he was out at Adepticon in Chicago, m'learned friend Aaron did an interview for the splendid 40K Radio (oh, the fake DJ slogans that name conjures up in my mind!). Aaron sent me a link to it, which I share with you here, in case (he said) I had half an hour to spare and I wanted to find out how much he loved me. Bromantically, obviously. My name comes up a couple of times.

Work continues apace on the Sabbat Worlds Anthology (at left). Let me tell you a bit about that. Because my schedule has been dinked a little by the sudden arrival of Captain Epilepsy and his fun-loving WarpStorm Commandos in the last six months, several projects have had to shift a little. Prospero Burns has been put back a bit, and that's affected Gaunt a tad. As a compensation, we've gone full steam ahead with a collection of stories set in the Sabbat Worlds, where the Gaunt books, Double Eagle and Titanicus all take place. An all-star team of writers, including Aaron, Sandy and Graham, have picked their own little corner of the Sabbat Worlds Crusade to write about. I've just finished work on a brand new Gaunt story for the collection, a veritable novella, called of their lives in the ruins of their cities. Graham's Apostles story (that's right, folks) is a total, total blast. Aaron's just posted a teaser of his on his blog (see link below), and if that doesn't make you put on your reinforced excitement trousers, I don't know what will.

While I've got your attention... in terms of my FAQ's, none are more FA than 'who do I send stories too when I've written them. Behold the answer: a link to Black Library's submission guidelines, plus details of their 2010 Submission Window. Let me, if I may, give you one piece of advice: follow the guidelines! Do not submit if you are not following the guidelines! They are clear and simple! There is no excuse for not following them!

Are we cool?

Saturday, April 03, 2010

It's your weekend, use it wisely

Nik and I are off celebrating our wedding anniversary today - we eloped on an Easter Saturday, so that's the date we always recognise, no matter where it falls. Anyway, that means I haven't got time to tell you how excited I am about my new Bluetooth mouse, or to discuss the 'new' kind of human being they found in a Siberian cave. Not today, anyway. But I'm sticking my head round the blog vault door long enough to point you in the direction of a nice new comics interview here, and to suggest that you visit Aaron's blog (find the link on the sidebar), there to watch the video from The Baseballs, which I think is quite brilliant.

Tuesday, March 30, 2010

Oh, stuff

Stopping by in a bit of a rush today - inspiration has struck, and she is a cruel mistress. Wow, there's a sentence open to interpretation. Anyway, just two things that I've come across to drop into your amusement and edification shopping basket:

1. This link to a little collection of the worst bootlegs around. It's just very funny indeed.

2. And this, which reproduces a note the great David Mamet wrote to the writing staff of his TV show The Unit. Yes, he does write in ALL CAPS, which suggests he talks as fast as his scripts. Yes, he does make a feth of a lot of sense. File it under 'Dear Ryan writing tips'. I'm not saying it's the word of god, I'm saying chew on it.

Thursday, March 25, 2010

The Ultramarines Movie (need-to-know-basis)

People keep asking me questions about the Ultramarines movie, and obviously I’m dying to answer them but I can’t, because of confidentiality clauses and other exciting grown-up reasons.

The one thing that surprises me, however - here, on Facebook, and on places like the BL page - is that the questions are often very basic. I realise that’s my bad. It’s too easy to take for granted that people are in the loop, that they’ve read the right post at the right time. So (and I apologise to anyone who already knows this), it’s probably a very good thing to do a little Ultramarines The Movie 101, and remind everyone that the project, which is in production RIGHT NOW, has a website here, where you can find all the facts and figures that have been released about the movie to this point, which includes interviews with yours truly and the stars of the flick. Most importantly of all, on the main page (top right - look! look!) there is a link where you can sign up to receive information AS IT'S ANNOUNCED. Go ahead and register, and take a look around the site. Then you’ll know as much as it’s possible to know.

Sunday, March 21, 2010

Yes, I DO love film, actually...

I managed to subscribe to Love Film AND unsubscribe to it again, all in the space of about ten minutes yesterday. How? Glad you asked.

Increasingly these days, I am reminded of TV shows or movies that I want to see again, and I go looking for them, only to find they are mysteriously unavailable. In this case, it was the lovely Australian movie The Year My Voice Broke, which Love Film, the on-line rental people, made a particularly fancy mess of teasing me with. I’d googled the movie, and it led me to them (after a search that had exhausted all other possibilities other than a Region 1 DVD edition that was a gazillionty pounds second hand). So I went through the entire process of registering and giving them my details, and ONLY THEN did they admit that didn’t have the film after all. They had a description of it and everything, a database entry for it that would snag any google search, but it was “Not available in the UK” No shit, Sherlock. Maybe you could have stated that on the search page, Love Film?

I have no idea why a movie as good as - and as notable in Aussie cinema - as Voice isn’t available. It doesn’t even seem to be available in Australia. The sequel, Flirting, is easy to get, because it features early performances by Nicole Kidman, Thandie Newton and Naomi Watts.

I’m getting off the point. This sort of oddness happens a lot, I find. Sometimes you can at least discover a reason. Two TV shows - the British Shoestring and the American Ed - which I’d love to have and watch on DVD for essentially nostalgic reasons, are stuck in unreleased hell because of copyright issues over the music used in their respective soundtracks. Shoestring, you might be old enough to remember, was about Trevor Eve as a DJ turned detective (“The Private Ear”), so there was music of the era in the background all the time. Ed, set in in bowling alley, had juke box music playing behind its witty small town charm.

Sometimes its odder, though. I own a boxed set of Hammer movies on DVD, but it doesn’t include their single SF movie, Moon Zero Two. I don’t care how crap people think that movie is, I saw it on TV as a kid and it made a lasting impression. I want to see it again. I want it on DVD.

Am I alone in this, I wonder, or do other people have similar, slightly obsessional things they wish were obtainable? Or am I just getting old and crusty? It may just be me. I mean, I’ve always kept my comics in Ultra Pro style folders, each comic in a clear plastic sleeve with a hole-punched spine so it can fit into the folder. Suddenly, it seems like nobody makes comic sleeves with folder-holes anymore. What’s THAT about?

Still, it could just be me. I discovered today that in four years time, Olivia Newton John will be the same age that Gene Kelly was when they made Xanadu.

By the way, I believe you can get Xanadu on DVD quite easily.

Saturday, March 20, 2010

British Fantasy Awards 2010

I was amazed yesterday to discover that my novel Triumff: Her Majesty's Hero has been longlisted for Best Novel at the 2010 British Fantasy Awards, organised by the British Fantasy Society. The longlist will become a shortlist later this year, and then the winner decided, but it's a big deal to get this far, and it puts me in some illustrious company. You can view the longlist here.

When I did so myself, I scrolled down and discovered that Guardians of the Galaxy had ALSO been longlisted in the Best Comic/Graphic Novel category. I will probably be wearing a silly smile for the next few days.

Thursday, March 18, 2010

He can't do it alone

I adore Cliff Chiang's propoganda posters for the Star Wars universe, especially this one, the Enlist Today design you should be able to find here. There are a couple more here. Crikey, the man has wit and talent.

Tuesday, March 16, 2010

Gosh! This is so unexpected! Well, I would like to thank the Academy...

Oh, Ain't It Cool News website, with these AICN COMICS: SIXTH ANNUAL @$$ie AWARDS you are really spoiling us! Enjoy this link to our double - let me just say that again in upper case - DOUBLE - win in the Best Writers category, and then scroll down for our triumph in the Best Ongoing Comic section. Then go here for day one of the awards and... surely not another double pick for Best One-shot of the year?

Friday, March 12, 2010

Who's scruffy looking?

It's Friday, so let's have some Friday silliness.

I can well imagine that this piece of funny won't be repeat-posted on the homepages of the comicbook creators it's less than flattering about. I understand that, just as I'm sure you'll understand why a little bit of it appealed to me. Thanks for forwarding it to me, anonymous donor who I won't drop in it by mentioning by name.

Thursday, March 11, 2010

Not that kind of ghost

You all seemed to like the voice announcements. I think. It was harder to tell than I expected, though I maintain that this should be a place for unfettered debate and discussion. Don't mind me, anyway, I'm feeling grouchy because the Hussar kept me awake all night by making yapping noises like a wounded fox. Or maybe it was a wounded fox. Though I don't know why there'd be a wounded fox inside my house.

Today, I'll be sharing with you two more things to pick the bones out of. First of all, a letter, because it made me happy:

Dear Messers Abnett and Lanning,

When I was a teen in the 80’s I was absolutely loving the Marvel Cosmic under the direction of Jim Starlin (Infinity Guantlet, War and Crusade, Warlock and the Infinity Watch, etc.). I enjoyed them enough that I went and bought back issues of the Cosmic Powers limited series and then bought the Infinity Abyss and Marvel: The End that came out a few years back.

I left comics for a while from the mid/late nineties until the mid naughts, and when I returned I was glad to see a Marvel Cosmic comic called Thanos. When it was ‘cancelled’ after the 12th issue I learned of the pending Annihilation and the prequels. I bought them mostly on a lark but have been pleasantly surprised at the stories that this has led to (Annihilation Conquest, Guardians of the Galaxy, War of Kings, Realm of Kings, etc).

I have most recently been greatly enjoying the Guardians of the Galaxy, with them consistently being my pick of the week for the weeks they are released. You have been hitting every single beat with regards to what I so loved of the 80’s Marvel Cosmic. Warlock, Gamora, Drax, Moondragon are now only part of a much wider tapestry of most intriguing, developed and entertaining characters. Heck you even made Jack Flag into someone interesting.

You are also channelling the ‘magic’ that was the Infinity series, as you are filling your comic events rife with twists and turns and plans within plans within deceptions within illusions. You kill off the team, and write it so we, the audience, accept their apparent deaths. And when we get comfortable with the new status quo, you expertly pull the curtain away to reveal that they’re not really dead. And this isn’t a cheap r trick but an actual well designed plan and concept that is expertly executed.

It reminds me of Penn and Teller once showing how they did this involved magic trick. Their showmanship and craftsmanship were so perfected the revealed trick was just as amazing and entertaining as the original illusion. Your writing has this quality of taking the typical tropes of death and resurrection and making them valid and sound.

And just when I think you will be letting me (and my wallet) breathe, as Realm of Kings winds down, you drop another concept to make me beg for more. THANOS! Again, you killed him years ago and made me hate you for it, then I’ve gotten comfortable with the idea and now he’s returning. And am I mad or do I feel betrayed, quite the contrary. I have complete faith you will execute this with the flair and skill you’ve demonstrated until now.

There have been many times where I’ve wondered at the solicits or images for coming issues and have been worried that you’d ‘jumped the shark’, only to find that my fears were so unfounded that the actuality greatly surpassed my possible expectations and only left me enjoying the book more and more.

With the coming events and cessation of others in other areas of the Marvel Universe, I am happy that you are continuing with the cosmic corner of the Marvel Universe and will not be adversely effected by those other events (The Heroic Age and the Return of Hope). In truth those events are not as nicely or coherently handled as your events are, and as such I’ll be dropping my comics in those events with the intention of moving those monthly purchases over to what is sure to be a greatly enjoyable ride (The Thanos Imperative). This is both a function of my disappointment in those events/characters and a statement in my enjoyment and desire for yours.

The only thing I am missing from my 80’s Marvel Cosmic that I’ve yet to see in the current tales is one of my favourite miscreants, Pip the Troll. His exclusion does in no way diminish my enjoyment of these tales, but he just seems ‘missing’. Also is there any chance we’ll be seeing an appearance by the Goddess?

In closing, all I can say is thank you ever so much for such an excellent ongoing series of events and series. I wish you the best of success, and hope that will include many more years of enjoyment of your stories (wherever they may be).

Sincerely,

Trevor Chapman
CANADA

Thanks, Trevor. *warm glow of satisfaction* activated.

And then there's this rakish fellow. Seems like everybody's got an opinion about something.

Wednesday, March 10, 2010

Voices of the Ultramarines

Oooookay. I shared some excitement yesterday, and it didn't go *quite* the way I was expecting. Let's try it again with something that I think most of you will have seen already.

Now THATS exciting, right? Right?

Tuesday, March 09, 2010

Thanos for fifteen minutes

I thought I'd share this pick of last week's fanfare announcements, with this one, and then this one, and then this one.

Andy and I were the Interview Twins from Interview Street, Interviewham, Interviewshire that week. Still, not complaining. Nice to be popular.

Friday, March 05, 2010

Answers, and the return of Gaunt

Having got my work room re-arranged, I thought I should christen it (and generate some proper headspace momentum) by switching to an entirely new piece of work, so I got stuck into the new Gaunt story I’m writing for The Sabbat Worlds anthology.

It was a smart choice. Not only is the story shaping up nicely (no, I’m not going to give too much away about it), but it, and the change of aspect and environment, has thoroughly re-energized me for everything else I’ve got to get on with. I’ve come through the last six months of tests and hospitals remarkably chipper and positive, but I don’t think I had properly realised how much I’d... curled up in a defensive ball, so to speak. Creatively, my gears were a little jammed, I think, like there was something wedged in there.

So add that to the list of writing tips, folks. If you get stuck, change your environment, or change the thing you’re working on, or both.

That excuses why I haven’t answered any of the questions I solicited, so we're going to catch up with that right now:

Philip - what makes interesting characters? Almost impossible to answer, I’m afraid. I think you just know, as a writer or a reader, if a character is compelling. The yardstick would be, I suppose, the same as the one you might use to measure the interesting-ness of a person. Not that anyone would do that, not out loud. As far as their 40k-ness goes, they’ve got to conform to the setting, and that means not just in their behaviour, but in the way they are clearly a product of their cultural mileau.

Shadowheim - I don’t plan them out. Sometimes I plan where I will need a character, and what kind of character it should be, but otherwise it’s mobile alchemy. And even then, it’s sometimes name first, traits and personality second, or the reverse. I am nothing if not erratic.

Chilon - Shared universe stuff is harder because you have to keep refering to, and being aware of, the root material, which means constant fact-checking and consulting, and then stress-testing your own work to make sure you’ve not broken anything. Own universe stuff is harder because you’re the only cop on the beat, and it’s up to you to police, archive and examine your own work. As far as things not to do go, I’d say the key one was not to waste your time working out the stuff you won’t need. In a shared universe, other people will have done a lot of the leg-work for you. In your own world, devise out the stuff you’re going to need, and the details THAT ACTUALLY MATTER. Do not waste your time inventing (say) the exchange rate in the southern continent that doesn’t get visited this book, or the colour of the beach towels in a resort you never go to. Leave that kind of thing to the book where THAT matters.

Sarah - the line between ‘descriptive’ and ‘over-flowery’ is almost impossible to spot in your own work. An editor or a very good, trustworthy first reader helps a lot for this. Be prepared to cut ruthlessly. As a rule of thumb, however, more than one adverbial or adjectival modifier is excessive, unless you’re going for some kind of beat or tempo. None is even better.

Kane’s Dad - Like many of my projects (the Gaunt books, sustained runs on comics like Legion of Superheroes and Marvel’s cosmic books, Sinister Dexter etc), I don’t tend to have planned a long way in advance. I’ve started off small, but with the hope and ambition to run and run, so I’ve left dangling loose ends as I’ve gone along. That way, if something gets recommissioned or extended, I’ve got plenty of connective tissue and plot-lines I can revisit and graft more stories on to. I try to do this in a seamless way, so it appears that it was always my intention ;) Once something has been running for a while, like Gaunt in the second and third arcs, I begin to have the confidence to block out the future in bolder strokes. The real trick, I believe, is the ability to think on your feet, to adapt and improvise when the time comes. You can plan a four book arc, but two or three years later, when you’re executing a later stage of it, times will have changed and new ideas (and interests) will have rooted inside you. Be flexible enough to incorporate them in order to keep things fresh, and keep the job satisfying. If that means altering your heading, do so. You’re the captain.

Sredni - both and neither (actually, some names just ‘cry out’ to be villains, and some names just obviously fit in one universe rather than another. I try not to make character names too cartoon-y unless, you know, I’m writing a cartoon).

Sometimes a specific, secondary or hidden meaning determines how I use a name, sometimes I just like a word. Sometimes I just invent a word. I do collect words. I have a list here. I look at it sometimes and think, “someday, I’ll use that. I wonder what it will be for.”


Rob - I think location, especially in SF, is more crucial than character visuals in establishing an immersive environment, which is probably why I spend more time doing it. We notice our surroundings more, and they determine our behaviour. A few deft strokes can set up some telling character traits. I imagine (it’s not deliberate) I spend a little more time on the Ghosts because they DO all wear the same clothes.


SteinarH - I think that tropes site is brilliant and highly amusing (I’ve seen it before), and it’s good to be aware of tropes and cliches, but I don’t really consider them SPECIFICALLY during the writing process. With enough wit, one could turn any storyline into a trope. Sredni echoes my sentiments about it.


David - thanks for the invite.

cavyguru - writing for any shared or tie-in universe is different in application to writing for one’s own invented universe, but I would disagree that it is ‘quite different from writing generic sci-fi fantasy’. The same levels of rigour ought to apply. In your case, I would urge you to proceed with caution: unless you are writing fan fiction, your are writing 40k tie-in work that hasn’t been commissioned. The Black Library is the only place that can publish it. You say you’re already writing it, and it’s ‘kinda big’. I’m not sure what the BL writer submission guidelines are at the moment (can any BL lurkers help me out?), but you need to find out what they are, then either fit what you’re doing to them, or ‘un-40K’ your story so it becomes your own fiction.

BigWill - Grey Knights are certainly very attractive. Aaron D-B thinks so too.

Justin Hill - I brainstorm for every project, at the start and many times during the run of it. I also collect (in notebooks, usually) stuff through daily life. “Harvesting” those notebooks and clippings feeds into each brainstorm, and I think I’ve got pretty good at recognising what idea scraps, kernels, nuggets, names etc go with which project, so I sort them into different files. So... both. I gather raw material all the time, so I’ve got fuel (or ammunition, or whatever you want to call it) when I need it for the brainstorming.


Okay, I think that’s everyone caught up. Now where was I..?

Tuesday, March 02, 2010

Back in the room

Apologies for the short intermission. I was overcome with a desire to move my entire workspace about, and that meant three days of boxes, dust, and unplugged computers. Back in the saddle again now, so I'll catch up on all your writing Q's from the last post soon. For right now, here are a few words from somebody who liked Triumff.

Meanwhile, I have to get used to the desk facing in this direction.