Saturday, March 31, 2012
Thursday, March 29, 2012
Mr I. N. J. Culbard and myself, along with colourist Patricia Mulvihill and letterer Travis Lanham, wish to thank everybody very much for the enthusiastic and positive reception that has been afforded to the first issue of our new publication - The New Deadwardians. The first issue was published this week, and it’s already prompted a very creditable reaction*
We’re simply delighted with the response, as is our editor Will Dennis and everyone at Vertigo, and we hope you’ll stay along for the ride as the series continues, and maybe even spread the good word too. If the series is a success, we’ve got other Deadwardians tales we’d very much like the opportunity to tell.
You can read about The New Deadwardians here and here and here, and also download it from Vertigo here.
To celebrate this occasion, it’s time for another blog competition, and a dead posh one it is too. Mr Culbard and I have signed, with our own fair marker pens, two copies of the first issue - the standard version and the variant cover. I will happily send them to the winner.
What do you have to do? Just post a link here to the blog (or email the site) with the most amusing or exotic place you’ve been able to place the phrase ‘The New Deadwardians’. A camera phone snap or a screengrab will do. Have you put it in your Facebook status? Have you spelled it out in magnetic letters on the side of your fridge? Have you written it on a sheet of paper and held it up in front of you on the beach in the Maldives? Have you painted it on the side of Big Ben (okay, don’t actually do that last one)? Entries will be judged on originality and amusement, and our decision will be entirely mercurial and whimsical. Good luck. Entries in by the last week in April, please (in time for the second issue!).
Now I’m off to take Mr Culbard to get the cure, as he’s been showing distinct tendencies of late and the next issue mustn’t fall behind.
Good day to you!
* I can usually tell because of the overnight bump in Twitter followers ;)
Monday, March 26, 2012
Sunday, March 25, 2012
Saturday, March 24, 2012
Journal of the Monkey Years
By rights, and with an infinite number of damn fine monkeys at my disposal, turning out word-counts to order should be easy as peas. Picture me (and I’m sure you do, having no better ways to fill your time*), and I’m certain you picture a one-man manufacturing process, like something from the peak period of the Manchester mills, streaming out vast yardage of words that are pneumatically wound onto bales and then taken to Liverpool by dray for wholesale use in a million everyday knick-knacks, such as novels, superhero comics, shopping lists and emails.
All the while making a deafening clickety-clackety noise.
Well, it’s not like that. For a start, a lot of my time is taken up with secondary but vital parts of the writer’s craft, such as hunting for tea-bags, and inventively swearing at telemarketers (“Cock the fuck off, Arse-bag!”). Also, staring out of the window with a rope of drool depending from the corner of my lip takes a fuck of a long time, okay?
It’s also worth noting. No, seriously, it is. Really useful, I’ve found.
The thing is, writing [insert stupid number] novels doesn’t hone your craft. It just multiplies the ways you can find to write books. It’s not like I got to [insert smaller, but nevertheless still stupid number] novels and thought, “that’s it, then. That’s how it’s done. That’s The Method.” Each one has been a different experience. There’s not a single trick, tip or shortcut I learned writing any one of those [insert original stupid number] that proved to be remotely helpful with the one after.
The novel writing process used to be all about productivity, and charging along, milling out words while heading for the glorious horizon. Plots were like napkins at the drive through. You take them, even though you won’t actually need them unless there’s a seriously messy upset.
Nowadays, writing is a lot more thinking up front. Thinking, and notes. For weeks, even months. Then there’s a frenzied, almost feverish period of writing. That’s how Know No Fear was. I’m wondering if that’s how Pariah will be. The me that wrote Necropolis or Riders of the Dead would in no way whatsoever recognise the me writing Pariah. Or my process. The process is like a live snake. Every time I add another book to the [insert stupid number and add one], it squirms around to find a new way to slip out, a new way to break free.
I don’t blog enough. There! I knew there was a point to this. I don’t blog enough. It ought to be really easy to put out a few hundred words every few days, especially given my mill full of monkeys. I should barely notice a blog. But it doesn’t work like that, and I’ve worked out that it’s because of the process. I think of myself as very disciplined, focused and regimented, at my desk early, working away, but in truth every book, every day is the start of an mysterious adventure. Adding in something else like Write A Short Blog Every Day to the "To Do" list, and it’s just one more thing that, at the end of the day, you can look at and sigh, “Shit, that didn’t happen.”
Nik’s managing to blog every day. It’s incredibly impressive (I’m referring to the frequency of the output, but the blog itself is also impressive and I urge you to check it out). I look at myself and see that the monkeys have written Could Do Better in red in my margin.
So I wrote this blog post to tell you that I’m absolutely not going to be writing a blog every day. Writing a blog saying I’m going to try to write a blog post every day is tantamount to failing before you even start. It’s tempting fate.
But let’s see if I can do it slightly more frequently, shall we?
*Standard irony engaged, Captain.